For beginners and seasoned users alike, Ableton User Groups are open to any Live user who wants to share their knowledge and learn from others in person. Find a User Group near you. Learn finger drumming. Practice your finger drumming skills with Melodics, a standalone app that offers a great way to learn and refine your playing. Logic Pro and Ableton Live are both flagship DAWs at the forefront today's music production world. There are a myriad of features common to both, and certain areas that each excels in over the other one. Today with Top Music Arts, we will take you through a summary and comparison of both Logic Pro and Ableton Live. So if you're new to producing, familiar with one program, or both, hopefully. Ableton makes Push and Live, hardware and software for music production, creation and performance. Ableton´s products are made to inspire creative music-making. Music Producing Software: Ableton Live Vs Logic Pro. Similarities: People seem to forget that both programs are driven by CORE AUDIO and the CPU's are doing MATH to sum the digital info. That means the programs are, as far as the computer is concerned, the same. With today's reliable technology, zeroes and ones will not differ from machine.
Pc application store. Logic Pro and Ableton Live are both flagship DAWs at the forefront today's music production world. There are a myriad of features common to both, and certain areas that each excels in over the other one.
Winrar latest version 2019 64 bit. Today with Top Music Arts, we will take you through a summary and comparison of both Logic Pro and Ableton Live.
So if you're new to producing, familiar with one program, or both, hopefully you'll find our comparison useful and you might learn a thing or two!
Logic Pro was originally released in the early 1990s as Notator Logic or just Logic by a C-Lab, a German software development company. Later, the company was bought by Apple in 2002, so Logic then officially became an Apple Product.
Logic Pro is the second most popular DAW in the world, second only to Ableton Live, going by a survey in 2015. Now a Mac only program, which was originally available as a boxed application, it is only available as a digital download from the Mac App Store.
A stripped down DAW using Logic's audio engine is available as a free software for Mac and iOS called Garageband. It takes the basic concepts of Logic and allows users to experiment in a stripped down version of the software.
It's great for kids or beginners, or if you're just making songs with loops (who hasn't done this with Garageband?) but if you're looking for Pro results and a more fleshed out program, Logic Pro is the one for you.
Logic Pro X comes with 69 Effects Plug Ins, as well as 23 Software Instruments. There are also 9 MIDI Plug Ins, 7238 Apple Loops covering many genres and support for up to 255 Audio Channels, the same amount of SoftwareChannels and a further 255 Auxiliary Channels.
Due to Logic being an Apple exclusive, if you're running Windows, your options stop here unfortunately. While Ableton Live supports both platforms, Logic sadly does not.
Starting its life in 2001 as a DAW and software sequencer, Live - made by German company Ableton - is the most popular DAW in the world for electronic music producers, many varying surveys have been done, and Ableton always seems to come out on top.
Built to function in a similar way to all other DAWs, Ableton contains all the features you'd expect to allow users to create, record, compose and produce music. However, it's also bundled with a whole host of features that make Live essentially an instrument for performing live or DJing.
Live's built in engine essentially acts in a similar way to a Loop pedal, and it also includes tools for beat matching, cross fading and other performance based effects. But more on this later.
Live comes in three iterations. Intro, Standard and Suite.
- Intro is targeted at the hobbyist musician market. It limits the number of Audio and MIDI channels to 16, allows 2 Send and Return tracks, with 8 audio inputs. It has 4 Software Instruments, and 21 Audio Effects and 2 MIDI Effects. It lacks a large amount of the full version of the software's capabilities.
- Standard has no limitations on track amounts, and offers a great many of the features of the full software. These are 12 Send and Return tracks, as well as 256 input and output channels. It also comes with 5 Software Instruments, 34 Audio Effects and 8 MIDI Effects.
- Suite, as the name may give away, is a full music production suite. It comes bundled with All of the above, as well as Max for Live, all 15 Software Instruments, 55 Audio Effects and 17 MIDI Effects. Live Suite encompasses a complete integrated studio, giving you everything you need for Music Production.
For a more comprehensive look into what makes Ableton so unique, check out our other article here.
There are a whole host of DAWs on the market, so there are a lot of questions to consider when comparing or considering one for your own use.
What do I want to get out of my DAW?
What features are essential to me?
What type of music will I be making?
Am I going to be performing my music, or just recording?
If you're making electronic music to be performed, for example, Ableton Live is the best choice by a mile.
If you're more focused on recording instruments and getting to use lots of technical plug ins, maybe Logic is the way to go.
Straight off the bat, if you're going in blind with no former knowledge of the two, there's no getting away from the fact that Logic is much better value for money than Ableton, because it's cheaper, and comes bundled with everything you need.
The full version of Logic Pro X goes for $200, while Ableton Live 10 Suite -the full version with all the bells and whistles- costs a considerable $749. That's over double the price, and then some.
Obviously if budget is a consideration for you, there seems a clear choice.
It's an unfortunate reality that Music Production can be an expensive hobby (with some plug ins alone costing in the hundreds) but if you're serious about making it work, that won't stop you.
However, if you aren't sure, or if budget is not an issue, read on to check out exactly what sets these two DAWs apart from each other, and which one is right for you.
This is probably the most fundamental question you need to ask yourself when trying to decide which program suits your needs best. If you know exactly what you need from a DAW, you're better prepared to choose one.
If your workflow takes the form of building a track in an arrangement, delving into sound design and composition How to play minecraft with mobile and pc. , then Logic is for you.
Id works datacard serial number crack software sites. Logic's MIDI editing tools are often regarded as superior to Ableton's, and the Audio Recording and Processing in Logic is hands down the better deal.
If you're a musician who records acoustic instruments, vocals or live drums, then the ability to comp, edit, track and record audio are an essential part of your arsenal. Logic lets you do this with ease, whereas these features are sadly pretty much nonexistent in Ableton.
That's not to say that Live doesn't allow you to record audio, just that if you are wanting something more akin to a studio environment, where you can record multiple takes onto one track, splice and edit the audio together efficiently, then Logic excels here and Ableton falls short.
Having said that, the two flagship DAWs are constantly tweaking and subtly borrowing ideas from each other when they release updates, so who knows where Live's audio editing functionality will be in the future?
While the previous section may seem to put Logic in the lead, there are more things to consider. If performing your music is part of your goal, then Ableton is the choice for you.
Live is unique because as well as having the traditional DAW features in its Arrangement View, it also comes with Session View, a unique environment in which you can employ a totally different song writing approach.
Building loops, and hearing them in real time is what Ableton's tools lend themselves to most effectively. When paired with Ableton's Push controllers, Live becomes a performance instrument, which can be used in either context; jamming out a song idea, or performing in a live situation.
This is why Live is so popular with electronic music producers, as genres such as House or Techno, which are progression based and largely focused on looping parts building on top of each, are so easy and intuitive to create within Live's environment.
Live also offers extensive mapping to MIDI controllers, allowing pretty much any parameter from any plug in to be mapped to a control surface such as Ableton's own Push or Push 2, but third party controllers also work. This allows control down to a minute detail on many elements of a song's performance, and there's no limit to how creative you can be with effects when it comes to this level of customisation with MIDI programming and assignment.
Even DJs use Live. The audio snycing and beat matching is where Ableton's skills also shine. It has complex audio analysis and warping tools, allowing you to select and create transient markers, to ensure that the audio you're working with is perfectly in time with your project.
This is what makes using Live as a DJ tool possible, you can drag a full song onto a single clip, and ensure the beat is locked with the BPM of your Live session. Using Ableton's built in performance effects and tools, you can create a full DJ set up within Live's environment. https://wdwfqn.over-blog.com/2021/01/mainstage-3-2-download-free.html. Adding songs to individual clips, and creating a full line up of songs for a DJ set is entirely possible.
While Apple does offer Mainstage, designed to be a live performance app and often seen as companion to Logic, for a live performance context, you can't beat the functionality and customisation levels available in Ableton Live.
So if you're an artist with a clear view to being able to perform your music in a live setting, Ableton is the winner here for its unique performance oriented features.
Logic uses a layout that anyone who has previouslyused Pro Tools or Cubase would be familiar with.
Each DAW mentioned shares an area for arranging on a timeline horizontally, and a separate mixer for balancing your tracks volume, panning, FX, sends etc.
Live, on the other hand, while sharing an Arrangement View, can be confusing if you're only used to using the aforementioned DAWs. The Session View is Live's unique feature, and if you don't think you'd use it, sticking with Logic Pro would be the best bet.
Ableton's Session View is so unique because it is a non-linear work space, visually arranged similar to Logic's mixer but with Clips arranged vertically and Scenes arranged horizontally.
A Clip contains one part or element of a track. An Audio or MIDI phrase for example, while a Scene is a section of the song with all clips playing at once.
This section allows you to improvise and promotes building your track as a loop. A clip will loop infinitely if you leave it playing, so if your approach to songwriting is building on ideas in real time, you can do this.
Then when you're finished, you can switch over to Arrangement View and create the song's full arrangement in a more traditional timeline sense.
For a comprehensive comparison of Ableton's Session View, check out our article here which takes a closer look at Ableton's interface.
If you're less of a songwriter and more of an engineer or a technically minded producer, Logic has a boutique of plug ins that are perfect when it comes to Mixing and Mastering your tracks.
The EQ plug in in Logic Pro X provides much better graphical feedback than EQ Eight in Ableton, for example, and Logic's Compressor is similarly superior with emulations of most compressor types.
There are even argument for Logic's audio engine sounding better.Though these are largely an issue of taste preference. There's definitely a difference between them, but is it enough to set one apart as an industry standard and the other as sub par? Not really.
The point is, great music can be and is made in both DAWs.
Something to consider though, is that many producers (myself included) have found themselves producing a track in Ableton, and then moving over to Logic for a more comprehensive mixing and mastering process.
While Ableton may lend itself well to particular composition scenarios, Logic comes out ahead when it comes to Mixing and Mastering.
Bottom line, if you're mastering, you want to be doing it in Logic. While you can master in Live, and if you don't own Logic Pro, you absolutely should, if you have access to Logic, you can't beat the complex tools and analysers that help in a Mastering context. Logic's Adaptive Limiteris a great example of this.
As I'm sure you've figured out by now, there's no clear answer to the age old and often argued about question is Logic or Ableton the better DAW?
While Apple does offer Mainstage, designed to be a live performance app and often seen as companion to Logic, for a live performance context, you can't beat the functionality and customisation levels available in Ableton Live.
So if you're an artist with a clear view to being able to perform your music in a live setting, Ableton is the winner here for its unique performance oriented features.
Logic uses a layout that anyone who has previouslyused Pro Tools or Cubase would be familiar with.
Each DAW mentioned shares an area for arranging on a timeline horizontally, and a separate mixer for balancing your tracks volume, panning, FX, sends etc.
Live, on the other hand, while sharing an Arrangement View, can be confusing if you're only used to using the aforementioned DAWs. The Session View is Live's unique feature, and if you don't think you'd use it, sticking with Logic Pro would be the best bet.
Ableton's Session View is so unique because it is a non-linear work space, visually arranged similar to Logic's mixer but with Clips arranged vertically and Scenes arranged horizontally.
A Clip contains one part or element of a track. An Audio or MIDI phrase for example, while a Scene is a section of the song with all clips playing at once.
This section allows you to improvise and promotes building your track as a loop. A clip will loop infinitely if you leave it playing, so if your approach to songwriting is building on ideas in real time, you can do this.
Then when you're finished, you can switch over to Arrangement View and create the song's full arrangement in a more traditional timeline sense.
For a comprehensive comparison of Ableton's Session View, check out our article here which takes a closer look at Ableton's interface.
If you're less of a songwriter and more of an engineer or a technically minded producer, Logic has a boutique of plug ins that are perfect when it comes to Mixing and Mastering your tracks.
The EQ plug in in Logic Pro X provides much better graphical feedback than EQ Eight in Ableton, for example, and Logic's Compressor is similarly superior with emulations of most compressor types.
There are even argument for Logic's audio engine sounding better.Though these are largely an issue of taste preference. There's definitely a difference between them, but is it enough to set one apart as an industry standard and the other as sub par? Not really.
The point is, great music can be and is made in both DAWs.
Something to consider though, is that many producers (myself included) have found themselves producing a track in Ableton, and then moving over to Logic for a more comprehensive mixing and mastering process.
While Ableton may lend itself well to particular composition scenarios, Logic comes out ahead when it comes to Mixing and Mastering.
Bottom line, if you're mastering, you want to be doing it in Logic. While you can master in Live, and if you don't own Logic Pro, you absolutely should, if you have access to Logic, you can't beat the complex tools and analysers that help in a Mastering context. Logic's Adaptive Limiteris a great example of this.
As I'm sure you've figured out by now, there's no clear answer to the age old and often argued about question is Logic or Ableton the better DAW?
While Ableton may come out on top on many polls, you could argue that that's just because it's supported on both Mac and Windows, while Logic is only a Mac app. This may affect results of polls because of how many people have access to each program, so it's worth bearing in mind.
You should never pay any attention if someone is blatantly shouting about how one is better than the other. It's entirely subjective.
At the end of the day, there are a lot of various elements to consider, and the most important thing is knowing yourself what kind of a producer you are, and what your needs are when it comes to music production software.
Hopefully you gained something from this comparison of Logic Pro and Ableton Live. Stay tuned for more content, and check out the rest of Top Music Arts' posts, templates, tutorials and more!
Ableton vs. Logic
Introduction
Whether you're new to music production or a seasoned producer, the 'which is better' comparison between Digital Audio Workstations (DAW) is discussed at length and is often inconclusive. True to that statement, when you make a course enquiry at SOS, you'll likely hear a different answer from each of the School's tutors. Their opinion on the matter is so strong that each has taken official steps to confirm both their love for their chosen DAW, and to establish themselves as an expert in teaching it: Mike Callander and Dave Norris are Ableton Certified Trainers while Davide Carbone is an Apple Certified Pro in Logic. Here's what they think are the strengths and weaknesses of each platform:
MIKE'S PERPSECTIVE
Mac or PC? Do you have a choice?
If you're a PC/Windows user, the answer is no. Logic is Mac only, while Live runs on both operating systems. Live also works almost identically on both, with some basic exceptions that are easily navigated. For example, to copy and paste some audio or MIDI in Live on a Mac you would use the keys Command-C and then Command-V. On a PC you'd use Control-C and then Control-V. It's really easy to transport your Live projects to other computers, and even if you're more comfortable on Mac or PC, once you are inside the DAW it becomes really easy.
Bang for buck, Logic is better value.
Credit where credit's due: Logic has incredible compressor, EQ and reverb devices, and these have occasionally enticed me over to the 'dark side' for the mixing stage of my production. Logic has some very nice sounding software synths built in too. If you don't already own it, the price tag of just over $300 from the App Store compared to a much higher $600-900 for Live (depending on the version) makes a great case for trying Logic Pro.
If you grew up on Cubase or Pro Tools, Logic will likely make more sense. If you're completely new to production or want to move from the studio to the stage, Live is intuitive and fun.
Logic uses a visual layout that is similar to most other DAWs, including Cubase and Pro Tools. Each of these has an area for arranging on a timeline, and a mixer section for balancing levels and panning, adding plugins etc. If you've already used one of these DAWs and want to switch, Live can be a little confusing at first. Samsung qvo vs evo. It does have an Arrange View too, but what makes Live unique is the Session View. This is a non-linear workspace for jamming ideas by triggering loops of audio or MIDI, and it's perfect for improvising and for live performance applications too. In this view there's no clear beginning or end to your track, song or sound experiment, so it's fun because it allows you to focus on the 'vibe' or groove, rather than worrying about any finished product. If you set a sound or instrument running you can let it play forever (if you wish) or choose when to stop it, and this makes it useful for artists who take a layered looping or overdubbing approach to building an idea. Of course, if and when you're ready finalise your track and 'tell your story' on a timeline, you can switch across to the Arrange View.
If you're going to perform, you simply MUST get Live.
If you have any plans to perform using a computer or to DJ with your DAW, at some stage you will most certainly need Live. From solo techno live acts to stadium rock bands, if there's software on stage you can almost certainly assume that there's at least one computer running Ableton Live. There are a few exceptions of course, as I understand Nine Inch Nails use 'Mainstage'… but really, Live is an industry standard for performance. It has a programmability and customisable nature that's just not present in Logic, and it has the added benefit of Max for Live compatibility.
Max for Live is a programming environment that allows clever people to create their own devices. If you need to get any job done that's not already covered by the Ableton developers, you can look to an entire community of third party developers that are building instrument and effects plugins, or you if you're feeling adventurous you can try doing it yourself!
The argument that 'Logic sounds better' is, for most producers, redundant.
I am the first to admit that I'm not an audiophile, but seriously, this 'Logic sounds better' argument is tired. A lot of people will try to tell you that Live sounds crap. If you import the same audio into each DAW and don't do anything to it, and then run a test on the exported audio, will they sound different? YES. I agree. But when does anyone ever need to do that? There are so many other factors at play when creating your sonic masterpiece. There are third party plugins, there are native devices, there's the ever-intangible imagination of the producer (perhaps the most important ingredient!), and then there's the matter of workflow. If I can achieve a musical goal in one DAW five times faster than the other, this process allows me A LOT more time to focus on fine-tuning the sound. At the end of the day I hear great music coming from both DAWs, and it has more to with the producer knowing her/his tools rather than the tools doing the job automatically like some kind of magic button.
DAVIDE'S PERSPECTIVE
Which DAW is better?
It's the million-dollar question which I don't have the answer for. It's really all about your requirements and personal preferences. There is no doubt Ableton is easier to employ the ‘throw some ideas at the canvas and see what sticks' approach. Ableton ironically is more reflective of how Logic Pro started over twenty years ago. Logic has become much more comprehensive and all encompassing. It's a technical powerhouse of which users only really use 5% of its features on a daily basis. So my short answer is ‘do you want to throw some loops together and then as you develop, get more creative without the steep learning curve? Or are you more interested in crafting your music stage by stage from sound design to composition'. The former approach suits Ableton, the latter Logic. None the wiser? Read on.
Are you a writer or performer?
There's no doubt Logic is a better compositional tool. It's midi editing facilities are second to none. There's a reason film composers and writers in general use Logic. It is so advanced when it comes to writing and manipulating notes, not just in editing but also in assistance. It can help you with scales, keys, chord recognition, humanisation, groove templates and even has dedicated tools to write notes for you (the brush tool in case Logic users are wondering). Logic users whom perform live regularly use Ableton Live for performing live – it's just much better suited to live performing and jamming.
Do you record audio?
Another good reason to choose Logic is that you record audio, if you live in the acoustic world then it's pretty obvious you need Logic Pro, or Logic Audio as it was once known. The ability to record, track, comp and edit audio is non-existent in Ableton Live.
Logic Pro X has much better production tools
It may be interpreted as a controversial statement but anyone would be hard pressed to disagree. The amount of visual feedback and features in every logic EQ, compressor and effect vastly surpasses Ableton Live's equivalents. Logic compressor has most compressor types where as Ableton Live has two compressors loosely based on Optical and VCA, I say loosely because it is not made clear. Logic Pro's EQ is based on any analogue studio EQ you are likely to come across. Ableton's EQ8 is a bit of a mess and frankly just doesn't sound great. In addition to this, Logic is laid out like a production tool in its signal flow and well laid out mixer. You could walk out of the 1960's and walk into Logic's environment and get it right away – not so Ableton Live.
Logic Pro X is a Mastering Environment
Due to its dynamic processors and sound, Logic is where you want to master. People say it sounds better than Ableton. Who really cares? You can't polish a turd and that is super relevant in todays age of technology because everyone starts at 50% as opposed to the 90's where we all started at 0%! Logic may sound better, but its tools coupled with its inbuilt meters allow you to move with the times. LUFS? RMS? Peak? – Check. Goniometers? Analysers? Correlation Meters? Check. It's a brilliant way to advance your production skills and it grows with you.
Logic Pro Vs Ableton
Who's copying whom?
I love to see updates from both camps. It's clear that they like to pinch ideas from each other. Logic is always trying to be more hands on and become more EDM friendly. It looks over back to the motherland (Logic was first made in Germany where Ableton is now based) and ‘borrows' a few ideas. Ableton on the other hand does exactly the same thing. Its latest updates clearly address the fact that Ableton is a dog to compose on. It's midi editing functions were almost non-existent. Zoom tools anyone? The influence that they have on one another narrows the gap between the DAW's and makes the choice between the two quite simply about personal preference. Once you learn the language of either Ableton or Logic you are most likely to stick with it for twenty years so choose wisely!
Why not both?
Good question. The answer is you can use both. I do. It's called rewire. Set Logic up as a master and Ableton as a slave and both run harmoniously together in perfect sync. I love some of Ableton's tools and plugins. I also love the way you can create chains and groups and use macros to control them, it's really intuitive and fast. It also allows for some quick modern style sound design.
Ableton Vs Logic 2017 Album
Remember that as a School of Synthesis student Ableton Live can be purchased with educational pricing. Take your Enrolment Email to a retail store and purchase away! More info on the DAW's can be found here:
